Portfolio Category: FIELD MIX

  • Field & Post-Production Audio – Lesley Ann Fogle

    Field & Post-Production Audio – Lesley Ann Fogle

    Field & Post-Production Audio – Lesley Ann Fogle
    Lesley Ann Fogle
    Here is some of my recent field recording and post-production mix sound work. Well, the Highball video which is from 2019…I did sound for the 2020 video as well but didn’t easily find it online. I’m slated to work on the 2021 project as well.
    I work on several different jobs per week so have a lot of material but little time to work on reels. I grabbed the following links to secure an upcoming contract and thought I’d share. Reach out to me if you’re looking to hire for a specific genre of work. Thanks!

    HGTV Hart Tools – Steve Ford
    Field Audio & Post-Production Audio – Lesley Fogle, Hear No Evil Sound

    Opera Project Columbus
    Field Audio & Post-Production Audio – Lesley Fogle, Hear No Evil Sound
    Lincoln Theater – What a fun project this was to record and mix the singers!
    I studied opera back in the day and I like to hear vocals mixed well without heavy-handed compression.


    Highball Halloween
    Field Audio & Post-Production Audio – Lesley Fogle, Hear No Evil Sound

    Action For Children – Childcare is Essential
    Field Audio & Post-Production Audio – Lesley Fogle, Hear No Evil Sound

    Jewish Columbus – Together We Shine 
    Field Audio & Post-Production Audio – Lesley Fogle, Hear No Evil Sound
  • Everlasting

    Local film (Columbus, Cincinnati, Dayton) shot on Red camera. I recommend bringing your post audio engineer to work on the production audio. Many field recorders simply keep their heads down and call out planes passing overhead; they should be seeking a constant sweet spot and hustling to get sound that will save hours in post.

    credits – boom operator, field mixer, sound designer, music editor, VO record, audio finish